Jiexiu Museum - China Travel

02/03 2023

introduce

Jiexiu Museum is a modern building with a strong sense of space. museumCombining local characteristics and characteristics of collections, permanent exhibitions are launched to make the public better understandJiexiu has a long history and culture.

opening hours

09:00-17:00 all year round

User Evaluation

hijkl7

Jiexiu Museum is located on Sanxian Avenue, next to Sanxian Square. The museum is quite large. Although there are not many exhibits, it is very distinctive. The glass exhibition and production process on the first floor are very vivid. It is worth visiting

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icqpup

Jiexiu is not big, but the scale of the museum is not small. Jiexiu's colored glaze art is very famous. There is a colored glaze art museum in the museum, which is worth seeing. The museum, together with Zunshen Building and Shuncheng Street, has become the core historical and cultural area of Jiexiu. The museum is closed on Monday, but the strange thing is that it was not Monday when we went, it was still closed, and there was no notice. In addition, the library in the same building as the museum is also closed.

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hijkl7

Jiexiu City Museum now has more than 500 pieces of cultural relics, mainly handed down from ancient times. Among them are: Ming Ningzhai’s extra-large landscape hall on silk, fan paintings and calligraphy collected by Shaji Fucha’s Lianqiao, a great Beijing collector in Qing Dynasty, Yu Ling, Lan Shen, Yu Jing and Qianlong painter Cao Yuan of eight Xiling masters in Ming and Qing Dynasties, etc. Silk Book Painting Zhongtang, Qing Miu Suyun Book Yu Wen Painting Zi'an Carved Bamboo Fan, Western Zhou Bronze Gui, Western Han Xinmang Bronze Mirror, etc.

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古藤幽兰

The collision of water, soil and fire has produced a colorful ceramic culture. Ceramics are the wealth shared by all mankind, and porcelain is an important contribution of the Chinese nation to world civilization. Therefore, China has the reputation of "the country of porcelain". Jiexiu Hongshan ceramics were created and fired in the Tang Dynasty. After the Song, Jin, Yuan, Ming and Qing Dynasties, the fire has not been broken for thousands of years. Jiexiu kiln fine porcelain, white glaze printing, pearl ground scratches, white glaze engraving, white glaze scratches filled with black and white There are many kinds of high-quality porcelain, such as glaze engraving, white glaze picking flower, white glaze black flower, white glaze brown flower, white glaze red flower scratching, etc., and white glaze red flower scratching porcelain is an exquisite work of Jiexiu kiln. , Bright colors, only produced by Jiexiu Kiln, has always been regarded as a treasure in ceramic art. The black and brown glazed cups, bowls, plates and other utensils are also decorated with a large number of printings. The decorative patterns are more common, such as children rowing boats on the lotus pond, which is unique to Jiexiu kiln and is a typical representative work. Jiexiu kiln white porcelain can be divided into thickness and fineness, and the firing volume of fine-bodied white porcelain is relatively large. The firing of white porcelain in Jiexiu kiln reached the highest level in Shanxi during the Song and Jin Dynasties. On the basis of firing plain white glazed porcelain, it took the lead Entering the firing of white glaze printing ware, the shape of the ware is neat, the decoration is exquisite, and it is very artistic, reaching the peak in the history of porcelain development. In the book "Illustrated Book of Ancient Chinese Ceramics", when introducing the Jiexiu Kiln, there is such a discussion, ""The twig flower and baby play patterns were found in the kiln, and the degree of exquisiteness exceeds the level of Ding Kiln and Yaozhou Kiln".

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古藤幽兰

The art of ancient Chinese painting is extensive and profound, recording the long-standing humanistic feelings and spiritual realm of the Chinese civilization. The thick ink and charm of the painting are vivid, the colors are elegant and colorful, and the composition is ready to change, gathered in a square inch. Chinese painting was formed in the Six Dynasties and matured in the Tang and Song Dynasties. During the Song and Yuan Dynasties, literati paintings became the mainstream, focusing on lyricism and pursuing poetry. In the Yuan Dynasty, literati paintings were mostly ink paintings, and themes such as flowers, birds, ancient trees, bamboos, stones, and plums were popular. The Ming and Qing dynasties imitated the ancients New, numerous genres, distinctive personality. One, the realm of painting fans. Chinese fans have a long history of using fans, and the functions of fans are also constantly enriching and evolving. From the earliest "ceremony fans" that shielded the emperors and nobles from the sun, they developed into shaking fans that generate wind and keep cool in life after the Han Dynasty. By the Tang and Song Dynasties , Fan painting became popular, and small fans became a place for literati and poets to display their talents and elegance. During the Yongle period of the Ming Dynasty, fan painting and calligraphy became widely popular and became an art form that appealed to both refined and popular. The Qing Dynasty was a period of great development of folding fans. It has risen to a kind of art, and it is a symbol of identity, status and taste. Second, the painting is really interesting. Chinese painting advocates "learning from nature", pursues "vivid charm", and pays attention to "poetry in painting". From the development of painting art to the Yuan, Ming and Qing Dynasties, literati paintings achieved breakthrough development. In terms of themes, 'landscape paintings' and 'flower and bird paintings' occupied an absolute position. Seek from the world', do not follow the aesthetic requirements of the public, use painting to show elegance, express leisurely feelings, advocate "learn from nature", "source of the heart of the law", emphasize the unity of character and painting, and pay attention to the integration of pen and ink with poetry, books, Printing and organic integration form a unique painting style.

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古藤幽兰

Chinese calligraphy is an ancient art. From oracle bone inscriptions and bronze inscriptions to large seal script, small seal script, and official script to cursive script, regular script, and running script that were finalized in the Eastern Han Dynasty, Wei and Jin Dynasties, calligraphy has always exuded the charm of art. reflect the spirit of the times. Looking at the calligraphy of the past dynasties, people in the Jin Dynasty favored rhyme, people in the Tang Dynasty favored method, people in the Song Dynasty favored meaning, and people in the Yuan and Ming Dynasties favored style. The art of calligraphy is becoming more and more sophisticated, and the calligraphy world is gradually full of vitality. Calligraphy art is a unique treasure in the world, the most typical embodiment of the beauty of oriental art and the excellence of oriental culture, and it is the splendid flower of Chinese culture. In the long-standing calligraphy tradition, the tools and materials used, the techniques and effects of expression, present a rich and colorful artistic phenomenon. The materials used may be paper silk, gold and stone, or bamboo wood, and the techniques of expression may be calligraphy or engraving or casting. The performance effects are either traditional, innovative or moderate, converging into a brilliant and dizzying art world. Rubbings of inscriptions are special historical documents that use traditional techniques to print the words and pictures engraved on stones. They are called "Book of Stones", commonly known as "Black Tigers". In order to record the important events of the previous dynasty and the grand ceremony, the ancestors engraved literary forms and calligraphers' handwriting on cliffs and steles by famous craftsmen. Therefore, the steles have multiple artistic contents, and then they are rubbed and mounted. into scrolls or albums, which form rubbings. Rubbing is a combination of stele and post. In fact, "tablet" refers to the rubbings of stone carvings, and "tie" refers to the collection of famous ink marks of the ancients engraved on wooden boards or stones. In the early stage of printing development, rubbings of monuments and post rubbings were important means of spreading culture. Jiexiu has been known as the "City of Glazed Glass" since ancient times. The architectural glazed art has a long-standing reputation, the glazed firing has a long history, and the glazed craftsmanship has a long history. There are steles as evidence, "Hongshan Temple Rebuilt Buddhist Hall Records", in which the record of "rafters covered with tortoise shell, tiles and tiles with glazed tiles" clearly shows that Jiexiu had a building with glazed tiles in 970 AD, and it was rebuilding the Buddhist hall of Hongshan Temple. The section of the front eaves of the wooden rafters is made of a glazed animal face like "tortoise shell". Compared with the vast ocean of Chinese culture, the museum is just a drop in the ocean, but from it, we can feel the long and profound history of China, and appreciate the charm and elegance of the multiculturalism of the Chinese nation.

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